Resident Evil: The Final Chapter 2016 Online Teljes Mese

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cím	Resident Evil: The Final Chapter 2016
tartam	193 stopperel
kiengedés	2016-12-23
minőség	DTS 1440p TVrip
zsáner	Action, Horror, Science Fiction
nyelv	English
castname	Willis A. Jackson, Lashay B. Adele, Joani S. Alaiza

Resident Evil: The Final Chapter 2016 Online Teljes Mese

Movieteam

Coordination art Department : Hudaifa Nanette

Stunt coordinator : Sergio Gros

Script layout :Adewumi Richer

Pictures : Pascal Capshaw
Co-Produzent : Arianne Malachi

Executive producer : Haseeba Hamel

Director of supervisory art : Kamari Flowers

Produce : Gytis Teri

Manufacturer : Tuomas Dani

Actress : Kaley Venel

Picking up immediately after the events in Resident Evil: Retribution, Alice (Milla Jovovich) is the only survivor of what was meant to be humanity's final stand against the undead. Now, she must return to where the nightmare began - The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.

5.9
1702



Film kurz

Spent : $523,750,051

Income : $275,174,333

category : Scheitern - Hoffnung , Ethik Legende - Sommer , Schrecken - Military , Journalismus - Management

Production Country : Brasilien

Production : Vivatoon

Resident Evil: The Final Chapter 2016 Online Teljes Mese

"

Some cool ideas but Anderson brings a new level of visual incoherence to the action scenes that is confounding and irritating rather than thrilling. It's as if he hasn't watched a single action movie in the last decade.

Not to mention so many stupid jump scares I had to wonder if he was trying to get a job with Blumhouse.

Still, Milla Jovovitch retains a steely charisma that remains compelling, but deserves far better material. Hopefully with this being the 'final' film she will be free to go and find it.
I was scared by "previews" which said the editing was too chaotic. My experience is mixed. In the first 1/3 of the film, there is a ridiculous number of cuts in the action scenes (didn't like it), but afterwards this wasn't a problem. So yeah, chaotic filming at the start, but much more enjoyable/conventional for the middle and end.

(P.S. There is at least one VERY scary scene in the first 1/3... despite the chaotic cinematography!)

This film TRIED to tie up all the loose end of the franchise, but it didn't do very well. At least we get to see Claire Redfield again... she looks hot as always, but we don't see her much, and she doesn't have anything to say about K-Mart or her brother, Chis Redfield!

The biggest disappointment for me was the lame death of the "big bad" ... that is, Wesker. I won't spoil his demise here, but let's just say it was Dues Ex Machina... (for those without a Latin background, it means an ass-pull by the writers!)

I guess Wesker was too awesome to defeat in a fair fight! Anyway, the final battle of Alice was against *SPOILIER* Dr. Isaacs! Actually the final battle was against Dr. Isaacs and his clone!!

I have mixed opions about this film... it tried, and in some sense succeeded in giving a finality to the movie franchise. But it also failed in many ways. The 3D was pretty crappy compared to the last two films ( I just learned they filmed this one in 2D and then up-converted it to 3D in post-production... unlike RE 4 and RE 5 which were REALLY filmed in 3D... so yeah, the human eye [at least my eye] can spot the difference between real art and AFTER-THE-FACT-POST-PRODUCTION cinematography).

Also, they completely skipped what happened in Washington DC (the end of the previous film). There is one line in the movie which referenced this... basically "Wesker betrayed Alice and didn't REALLY give her back full power of the T-Virus". As a fan, I found this lame 1-liner very dissatisfying for the series finale! :(

So now you may think I am an RE hater, but that isn't the full truth. I felt this film was *literally* too dark, and the 3D was merely acceptable (not fantastic like prior films), but it did give a conclusion and explored upon things like clones of Alice...

I guess the only/biggest fault is the plot in the final scene... an air-borne virus, which will literally take years to work (according the movie itself!) manages to kill hundreds of thousands of zombies IN AN INSTANT... at the movie's climax... this is too convenient/stupid to be believed by anyone... even an RE Fan like me. I'm sorry, but can you say EPIC FAIL?

== EPILOGUE ==
This film tries, and in a few cases succeeds, to tie up the Resident Evil franchise. But the fake-3D *FAILS* compared to the real-3D of the prior two films. The horror factor REALLY IS much better than the last 3 or 4 films... but is it enough???
I would say that my expectations for this movie was pretty much spot on. I expected a visual action feast with a fair amount of gore in it and that is pretty much what I got. Things like a well developed script and stuff like that, well obviously the producer thought asking for such things would be nitpicking.

It currently holds a 5.6 rating at IMDb and 60% user score on TMDb which is fairly well deserved. Of course there are always reviewers giving it single star ratings and saying it is the worst film ever. That is just bullshit. These people have obviously never seen a really bad movie.

Milla Jovovich is again playing the hot zombie killing chick from the previous movies and although she tragically lost her superior T-virus strength in one of the previous installments her capacity for dealing death and mayhem as well as absorbing hits still borders on being super hero stuff. Unrealistic but fun to watch.

Despite my comments on the script earlier there is actually one with a paper thin thread intended just to bring the story from point A to B with a maximum of violence and special effects in between. I do think the tanks that they had cooked up looked cool although they were just visual candy a’la Mad Max. I mean come one, a tank with ventilation shafts all over the place so all you had to do was pour some gazoline over it and light a match? Stupid to say the least.

There were a few other things was more designed for looks than realism. For instance a certain ventilation fan that were used to drag out some of the events. Who the f… designs a ventilation fan with a dozen or so rings of blades? It is a ventilation fan for Christ sake, not a jet engine turbine. Oh, yes of course, stupid me, otherwise they would not have to spend so much time crawling through it.

I did like the various mutated zombies as well by the way. The flying thing at the beginning and the end was quite cool. Some people seems to have had an issue with the fast, sometimes very fast, clipping of scenes. I have to say that it did not disturb me that much. Not that it added much either though.

Speaking of the end. Well, I guess it was okay. The end itself was not too surprising. It was dragged down by the stupid nonsense with Dr. Isaacs though. The only time an exploding grenade resulted in anything less than a semi-atomic eruption of flames was of course when the director had decided that he needed the bad guy for a few more scenes. Lazy and stupid script writing.

On the whole I enjoyed the movie as much as I expected to. It was an okay movie. Good for a evening fix of zombie splattering and Milla Jovovich (okay so what, I am a male of traditional sexual orientation you know). It could have been a lot better but it was not really horrendously bad either.
**Time to bring down the remaining of Umb Corp.**

The series never meant to be story based. Well, at the first it was fine, but then it turned out be more a video game style than the normal commercial films. So if you are going to watch it, your expectation from it should be the action-adventures. Of course, nothing happens without a reason, that's where the story was born. This is the sixth film in the series and they are saying it is the final, but have to wait and see in a couple of years, whether another film will be made or they are going for television as hinted out.

The main character is long dead, that's what they say to us every time. And then a new sequel with the same character and their explanation is, clone. That's seems okay, but that being a regular thing is what annoying. This film is enjoyable, like I say, watching a game played by someone sitting next to us. But not the best of the series or the year, nor its kind. Just to enjoy the action sequences. All the top, knowing about Olivia Jackson made me almost to cry. She's the real hero, hats off.

As I said, the film was not necessary if you go by the story. It was just another mission, a fight to bring down the last remaining Umbrella Corp and possibly to reveal more secrets about it and everything so far happened. I always wondered how this franchise survived this long. Yeah, every time a decent box office pushed the filmmakers and actors to go for another one. The film's main ingredient, graphics were acceptable, and performances too. So, it is only for the selected audience, but you can ignore it if you are not that interested in it.

_4/10_

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Wreck-It Ralph 2012 Online Teljes Mese

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könyv címe	Wreck-It Ralph 2012
időtartam	174 percnyi pontossággal mér
forgalomba hozatal	2012-11-01
minőség	WMV 1440p Blu-ray
zsáner	Family, Animation, Comedy, Adventure
nyelv	English
castname	Harding C. Régent, Bensaïd T. Darryl, Clavier I. Alaine

Wreck-It Ralph 2012 Online Teljes Mese

Movieteam

Coordination art Department : Thandie Ksenija

Stunt coordinator : Jambet César

Script layout :Inell Sydney

Pictures : Beaulé Isidora
Co-Produzent : Aline Smart

Executive producer : Adelyn Carlès

Director of supervisory art : Josèphe Rohanna

Produce : Abraham Claral

Manufacturer : Benicio Benn

Actress : Jesusa Lalya

Wreck-It Ralph is the 9-foot-tall, 643-pound villain of an arcade video game named Fix-It Felix Jr., in which the game's titular hero fixes buildings that Ralph destroys. Wanting to prove he can be a good guy and not just a villain, Ralph escapes his game and lands in Hero's Duty, a first-person shooter where he helps the game's hero battle against alien invaders. He later enters Sugar Rush, a kart racing game set on tracks made of candies, cookies and other sweets. There, Ralph meets Vanellope von Schweetz who has learned that her game is faced with a dire threat that could affect the entire arcade, and one that Ralph may have inadvertently started.

7.3
8555



Film kurz

Spent : $202,528,591

Income : $989,139,062

Group : Samurai - Uncategorized , Geschichte - Impressionist Lernen Judicial Floors Wildlife Film , Stück Leben - rätselhaft , Muss Depression Katastrophenrat - Freundschaft

Production Country : Gambia

Production : Viceland

Wreck-It Ralph 2012 Online Teljes Mese

"

Wreck-It Ralph is a great movie with my love for games in there with it. The movie had some great childhood memories of mine, with all the characters from the best games. The graphics are excellent and the voice acting couldn't be better. This movie is great for adults and kids.
Surely the thematic is great and it is funny to see old pals from several video games but Wreck-it Ralph lacks the hook of most of Disney movies.

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Dirty Grandpa 2016 Online Teljes Mese

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cím	Dirty Grandpa 2016
tartam	175 feljegyez
forgalomba hozatal	2016-01-21
minőség	Dolby Digital 1080p DVDrip
műfaj	Comedy
nyelv	English
castname	Garrel M. Hertha, Briand R. Jeylan, Tatjana G. Margot

Dirty Grandpa 2016 Online Teljes Mese

Movieteam

Coordination art Department : Tati Jeremy

Stunt coordinator : Vedanth Sohane

Script layout :Franju Billal

Pictures : Boucher Moore
Co-Produzent : Brette Mareli

Executive producer : Pyrard Laytan

Director of supervisory art : Kaya Madisyn

Produce : Shaylen Kira

Manufacturer : Knox Eriana

Actress : Dalle Othmane

Jason Kelly is one week away from marrying his boss's uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick, to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride.

5.8
2909



Film kurz

Spent : $834,420,349

Revenue : $695,142,906

category : Metaphysik - Ethnografisch , Dialog - Horrorfilm , Mädchen - Tapferkeit , Trivia - Worte

Production Country : Vereinigte Staaten

Production : Harmony Productions

Dirty Grandpa 2016 Online Teljes Mese

"

In the raucous and woefully wretched **Dirty Grandpa** director Dan Mazer's lazy and lethargic laugher gives a whole new meaning to the term "gag comedy" with the emphasis on the word gag. One might want to upchuck at this mindless ragtag romp that desperately tries too hard to reel in the obnoxious chuckles. Undoubtedly toothless, unimaginative, and aimlessly insipid the degenerative **Dirty Grandpa** has all the cheeky charm and hilarity as a waxy floor in an arthritic nursing home patient's dim lit room.

Naturally, the questionable punchline to this foolish and crass joke-of-a-movie is why a prestigious performer of Oscar-winner Robert DeNiro's caliber doing such silly and offensive sludge as the flatulent farce **Dirty Grandpa** in the first place? Sure, DeNiro has done his share of hit-and-miss comedies in his career as well as some dramas that were lackluster and forgettable. It is true...even the great cinematic icons can gravitate to the usual duds from time to time. However, watching the intense and revered seventy-something veteran DeNiro wallow in this madcap mess is utterly inexcusable. What even possessed DeNiro to appear in such a diaper rash of a juvenile comedy? Did he lose a bet or was challenged to a dare of some awful kind?

As for DeNiro's co-star in ex-Disney Channel dreamboat star Zac Efron one can not be hardly surprised that the big screen boytoy as popped up in this train wreck of a treat seeing as though Efron's past film choices have not been what one might call consistently stellar in his film career thus far. Let's face it...**Dirty Grandpa** was begging for a tongue-lashing and rightfully so. Unless you are an uncontrollable hormonal teen with a locker room mentality attached to your blank psyche then one might find the witless **Dirty Grandpa** a bombastic bore that could not clean up its noxious act even if it ran through several durable car washes.

Screenwriter John Phillips wants to present DeNiro's crusty curmudgeon Dick Kelly as a walking wrecking ball with no filter whatsoever. In fact, DeNiro's Dick Kelly is a tragic figure that could be misunderstood by some and mistrusted by others. It appears that Dick Kelly is the cursed clown with the wounded soul--no doubt Phillips's ridiculed target for the inside satirical look at aging hardcore has-beens that rail against a world they no longer recognize and allowed to pass them by in the process. **Dirty Grandpa** could have been a dark and impish commentary on maturing quiet rage with snarling senior citizen Dick Kelly's ignorance serving as a red button for panic. Unfortunately for the throwaway **Dirty Grampa** it is not clever or calculating enough to realize its potential as a subversive chuckler while simple resting its guffaws on cheap-minded edgy banality.

In a nutshell, recent widower Dick Kelly wants to unwind in the aftermath of his wife's passing and head down to Florida where he and his late beloved bride spent their treasured days near their summer home. This means enlisting the assistance of his grandson Jason (Zac Efron) to accompany him to the Sunshine State so that Dick can get loose and wild.

Dick, a retired military man, is not a Golden-Aged Boy Scout by any means. He is indeed a Dirty Grandpa based on his persona as a bombastic bastard of a character. Dick is a proud-minded racist, misogynist and homophobe...and these are his good qualities! Dick is indignant as he incredulously wonders why he cannot utter the N-word and does not miss a beat when drooling over the bouncy babes that could easily pass for his granddaughters. And Dick has his "gaydar" gander up when confronted with "swishy guys" in his presence. Also, there is no shame whenever Dick feels free to...um, pleasure himself regardless of whether Jason is in the vicinity or not. Dick, to say the least, is a tool in the worst way.

Naturally, **Dirty Grandpa** eagerly wants to throw into the sordid mix other wacked-out characterizations to add to the clumsy raunchfest. Both Mazer and Phillips get their junk food jollies in presenting supporting players that gleefully reinforce all the staged nuttiness at hand. There is a curious slutty siren (Aubrey Plaza from TV's "Parks and Recreation") that wants to "do the naughty" with Dick to satisfy her fetish for pleasuring old geezers. And then there is Jason's galpal (Julianne Hough) that seriously needs a stick removed from her no-nonsense butt before she ties the knot. Of course this dumb display tosses a couple of collegiate cut-ups (Michael Hudson and Jake Picking) and Jason's cousin Nick (Adam Pally)--a disabled "Dick" wannabe.

So **Dirty Grandpa** marches to its wacky beat without realizing how much of a Grade-A stinker this insufferable session of comatose comedy this shoddy showcase really is at heart? Breezy bathroom-related humor, recycled masturbation giggles, bubbly bimbos and slap-happy drug use high-jinks--all befitting whatever odious overtones this needless and fetid funny fable managed to pull off.

For DeNiro and company **Dirty Grandpa** may have been a quick and profitable payday but for the rest of us the payoff was mere chump change.

**Dirty Grandpa** (2016)

1 hr. 42 mins.

Starring: Robert DeNiro, Zac Efron, Zoey Deutch, Aubrey Plaza, Julianne Hough, Jason Mantzoukas, Jake Picking, Michael Hudson, Mo Collins, Dermot Mulrooney

Directed by: Dan Mazer

MPAA Rating: R

Genre: Comedy

Critic's rating: * star (out of 4 stars)

(c) Frank Ochieng
> The usual, nothing innovative about it!

Everything I wrote was just my personal opinion, definitely not intended to offend anybody. This should have been one of the best comedies of the year, but now it belongs to one of the worst. I recommend 'Grandma' instead this which I felt a much better comedy.

At this age, Robert De Niro was unbelievably awesome, though his character needed a good support from another and that's where as usual Zac failed to deliver his part. I would have preferred someone like Taylor Lautner who's desperate for a breakthrough than the Zac who ruins always.

The screenplay was from the 'blacklist', knowing this they should have been more careful while casting for it. The story was okay, because it was not meant for one of the greatest films of all time. It was sort of a weekend getaway or the bachelor party theme, but the film gives its original reason and then those developed plots were too familiar if you have seen plenty of teen films, in the party theme.

It's supposed to make us laugh, but there are lots of outdated humours tried in the unusual route to narrate them. The grandfather-grandson combo was an excellent idea, the main plot revolves around them and it should have remained that way, but the undetermined romance was an interruption. Or they should have developed a decent romance track for a better balance in the genre.

At least it would have been all right if it was a teen film. Many of those who appeared in it were actually too old to represent the roles given to them. That's fine too, because films are fake, everything is make-up and performance, but none were at their best except De Niro and Aubrey Plaza. It is definitely a film to skip, that's my opinion, but they're a few who are defending it, so be careful that I'm not always right and they're not always wrong if you want to choose it.

3/10

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Sand Castle 2017 Online Teljes Mese

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cím	Sand Castle 2017
tartam	145 feljegyez
forgalomba hozatal	2017-04-21
tulajdonság	DTS 1440p DVD
műfaj	Drama, War
nyelv	English
castname	Darc V. Chaz, Bledsoe M. Tully, Othello Q. Labbé

Sand Castle 2017 Online Teljes Mese

Filmteam

Coordination art Department : Dionne Praneel

Stunt coordinator : Kounen Chavez

Script layout :Ritika Rossi

Pictures : Indica Macklin
Co-Produzent : Graham Inaya

Executive producer : Payne Orna

Director of supervisory art : Marco Aurora

Produce : Mansart Riel

Manufacturer : Miranda Ayot

Actress : Sahas Sirtis

Set during the occupation of Iraq, a squad of U.S. soldiers try to protect a small village.

6.4
408



Film kurz

Spent : $980,046,439

Income : $665,560,735

category : Geschichte - Schreiben , Test - Liebesfilm , Samurai - Religious , Anthologie - einfallsreich

Production Country : Dominica

Production : BBC Wales

Sand Castle 2017 Online Teljes Mese

"

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Greta 2019 Online Teljes Mese

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könyv címe	Greta 2019
tartam	113 jegyzőkönyvet vesz fel
kioldás	2019-02-28
minőség	DAT 720p BRRip
műfaj	Thriller, Mystery
nyelv	English
castname	Monica G. Sweetin, Avyanna G. Eilah, Payne B. Neave

Greta 2019 Online Teljes Mese

Filmteam

Coordination art Department : Patti Pomeroy

Stunt coordinator : Willy Granet

Script layout :Nagad Schuler

Pictures : Palmer Tanae
Co-Produzent : Denyse Laborit

Executive producer : Floria Louca

Director of supervisory art : Kaytlin Helie

Produce : Seigner Kleio

Manufacturer : Phoenyx Khushal

Actress : Tylo Quintin

A young woman returns an elderly widow’s lost purse, leading to an unlikely relationship between the two — until the young woman discovers her elder might not be all that she seems.

6.3
423



Film kurz

Spent : $432,107,243

Income : $500,166,485

Categorie : Reiche Vize-Regierung - Hoffnung , Ethik Legende - Surrealistisch , Show - Benzin , Hingabe - Tapferkeit

Production Country : Guatemala

Production : RAM Film

Greta 2019 Online Teljes Mese

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Every year, there are a couple of underrated and/or overlooked movies. Greta is 2019’s first film to belong to both categories. It was definitely overlooked since Hellboy stole the spotlight, and it’s also underrated based on online feedback. Critics being divisive is kind of expected, but audiences are disliking Greta more than the former group, which I find quite surprising. Nevertheless, I enjoyed a lot and that’s mostly due to the outstanding performances of its leads. Isabelle Huppert is incredible as Greta, as expected from such an acclaimed actress. Her character has a very mysterious personality which is well-developed throughout the runtime. Undeniably, her character’s past and decisions turn out to be a bit questionable, in terms of logic. I don’t believe that it’s straight-up rubbish, but I can’t deny that some aspects of her persona lack consistency and sense. Fortunately, it’s nowhere near Serenity‘s level of absurdity. In the end, Huppert elevates her script and delivers a creepily captivating display.

Chloë Grace Moretz is one of the most talented young actresses out there, and I already stated a few years ago that she will be a much-desired star, sooner or later. In this movie, she shows off the subtlety of her expressions at the same time that she proves how amazing her range is. She embodies the charitable and innocent personality of her character like she is, indeed, Frances. Two wonderful performances that become even better due to the palpable chemistry that the two actresses have with each other. With such a short runtime, their interactions are interesting in the beginning, becoming more and more intriguing as time goes by. In addition to these two, Maika Monroe (Erica Penn) surprised the hell out of me! Not only her character doesn’t follow the stereotypical “blonde, dumb friend”, but she really offers an exceptional performance.

The screenplay does have some narrative issues, being most of them related to Greta, as mentioned above. It’s hard to imagine that what happens in the second half of the film could occur in real life as it’s depicted, which instantly kills most movies. However, it’s not as unbelievable as people might think at first, and after some thought, it’s actually pretty reasonable, having in mind the psychological factor. It doesn’t separate itself from the genre’s cliches and it’s quite predictable throughout, even though the ending comes as a nice surprise. It’s the typical B-movie that’s good to see at home on a Sunday afternoon, but if you catch it in the theaters, you won’t regret the money spent.

Greta is 2019’s first underrated and overlooked film. With two extremely captivating performances by Isabelle Huppert and Chloë Grace Moretz, this B-movie truly stands out from the most recent flicks of the same type. The leads’ chemistry carries most of the engaging story, even though a word of praise must go to Maika Monroe for her display. The indisputable narrative problems can either be completely nonsensical or reasonable, at best, depending on what kind of moviegoer you are. There are enough justifications for interpreting the second half events and Huppert‘s character actions as both silly or realistic. I stand on the latter, and I enjoyed myself during the whole runtime. Go see it if you catch it near you. If you don’t, be sure to watch at home.

Rating: B
**_Insubstantial and forgettable, but Huppert makes it moderately entertaining_**

> _The philosopher is right who says that nothing thicker than a knife's blade separates happiness from melancholy; and he goes on to opine that one is twin fellow to the other; and draws from this the conclusion that all extremes of feeling are allied with madness._

- Virginia Woolf; _Orlando_ (1928)

In Claude Chabrol's _Violette Nozière_ (1978), Isabelle Huppert plays a prostitute who contracts syphilis from a client, tells her parents she inherited the disease from them, kills her father, tries to kill her mother, and falsely claims that her father molested her. In Chabrol's _La Cérémonie_ (1995), she plays a woman who shoots an entire family to death as they watch TV. In Michael Haneke's _La Pianiste_ (2001), she plays a pianist who uses broken glass to injure the hand of a fellow professional. In Christophe Honoré's _Ma Mère_ (2004), she plays a woman who commits suicide whilst having sex with her son, timing it so that her death coincides with his orgasm (just don't ask). In Paul Verhoeven's _Elle_ (2016), she plays a rape victim who sets out for revenge on her rapist, all the while indulging in ever more extreme play-rape scenarios with her (married) neighbour. It's quite a CV of depravity (and that's only five of the 120+ films in which she has appeared).

And so we have _Greta_. Written by Ray Wright (_Pulse_; _Case 39_) and Neil Jordan, and directed by Jordan (_The Company of Wolves_; _The Crying Game_; _Interview with the Vampire_; _Michael Collins_), this is schlocky B-movie territory through-and-through, with a completely ridiculous plot and over-the-top final act, all infused with a ludicrous generic campiness. It's one of those films that's so utterly horrendous in almost every way, it's actually kind of enjoyable. Kind of. Very much in the tradition of stalker-thrillers such as Brian De Palma's _Body Double_ (1984), Adrian Lyne's _Fatal Attraction_ (1987), and Barbet Schroeder's _Single White Female_ (1992), although nowhere near as good as any of them, _Greta_ was introduced at the Venice Film Festival as "_a twisted little thriller_". Well, it's certainly twisted, and it's also rather little, but there isn't a huge amount of thrilling going on. Same problem if you want to call it a psychological thriller, as there's precious little psychology. In fact, there's precious little of anything going on, as Jordan seems to have precisely nothing to say; the film simply isn't inherently _about_ anything. Although it is good for a few laughs (and I'm pretty sure not all of them intentional).

Frances McCullen (Chloë Grace Moretz), a young Bostonian, is sharing an apartment in New York with her college friend Erica Penn (Maika Monroe). Having recently lost her mother to cancer, she is all-but-estranged from her workaholic father Chris (the great Canadian Shakespearean actor Colm Feore), with every conversation painfully taut. Returning home from her waitress job, Frances finds a handbag on the subway belonging to Greta Hideg (Huppert). Bringing the bag to Greta's house, the two share tea, as Greta explains her husband died some time ago, and her daughter is living in Paris, leaving her feeling lonely. They strike up a friendship, with each filling an emotional void in the other's life. Although Erica thinks the relationship is "weird", Frances ignores her, and she and Greta grow ever closer. However, as Greta prepares dinner one evening, Frances finds a collection of handbags identical to the one she found on the subway, each labelled with a name and phone number. Deeply concerned, Frances tries to cut ties with Greta, conceding that Erica was correct. Greta, however, has no intentions of allowing Frances to walk out of her life.

_Greta_ is Neil Jordan's eighteenth film, and the eleventh to feature Stephen Rea (here playing a rather useless private detective), and his output has always been patchy; for every classic like _Mona Lisa_ (1986) and _The Crying Game_, there's a _We're No Angels_ (1989) and a _Byzantium_ (2012). Something in which he has always been interested, and which infuses many of his films, is folklore, especially fairy tales. Obvious in films such as _The Company of Wolves_ (1984), _High Spirits_ (1988), _In Dreams_ (1999), and _Ondine_ (2009), it's also to be found just below the surface in everything from _Angel_ (1985) to _The Miracle_ (1991) to _Breakfast on Pluto_ (2005). In _Greta_, Jordan allows his familiarity with the tropes of classic fairy tales to imbue the film's _milieu_, especially in relation to Greta's home, which is so obviously inspired by "Hansel and Gretel" it may as well as have been made of gingerbread, whilst Frances has more than a hint of Little Red Riding Hood's innocence and _naïveté_ about her.

However, this is a Roger Corman-style B-movie before it is anything else. For example, something you see a lot in B-movie thrillers is that when danger is apparent, otherwise intelligent characters must act like complete and utter simpletons; so, upon a barrage of calls and texts from Greta, Frances neither blocks Greta's number nor changes her own; when Greta starts calling the landline, neither Frances nor Erica think to unplug it; although it's never explicitly stated that Greta has a key to the girls' apartment, the fact that she seems to pop in and out at will suggests she does, yet the girls don't change the locks; Frances's big plan to combat Greta is to root through her garbage to try to find something incriminating; when trapped in Greta's house, after trying the door and one window, Frances thinks the best course of action is to flee to the dark cellar. Whether the film intends for this level of stupidity to be humorous or not is beside the point; anyone who has ever seen a movie (any movie) will surely get a chuckle from such appalling writing

The question one must ask, then, is whether or not Jordan is actually in on the joke. It remains somewhat ambiguous, but I would say, for the most part, that he is not, and that he seems to take the material relatively seriously. What is certain, however, is that Huppert is very much aware of the ludicrousness around her. Although _Greta_ is nowhere near the most extreme character she's played, she is clearly having an absolute blast with the part - whether it's delivering her lines as if she's over-rehearsed them, literally dancing across the set as she commits homicide, spitting chewing-gum into Frances's hair, gleefully engaging in some DIY emergency medicine, standing completely motionless in a city street, or overturning a table as if her life depended on it, you rarely see a performance wherein the performer is so joyful; she practically winks at the camera a couple of times. She commits totally to every bonkers moment, which come thick and fast in the last act. Without her exuberant performance, the film would be virtually unwatchable; Moretz is fairly wooden; Monroe's Erica is a blank slate rather than a character; Feore is wasted in only two scenes; and Rea is his usual hang-dog self. Only Huppert pops. But man alive does she pop bigly!

Thematically, the film flirts with a few issues, but never really penetrates any of them. One could certainly read it as a satire of NYPD inefficiency, the ineffectiveness of the justice system, and the misnomer that in a post #MeToo society, it's easier for women to report instances of stalking and harassment and be believed; when Frances makes a formal complaint about Greta, a bored policeman tells her "_it's not harassment if it's in a public place_". Later on, when Frances tries to file a restraining order, she is told it could be months before her case is heard. When Greta is taken into custody at one point, she is released almost immediately, despite clearly being unstable.

From an aesthetic point of view, the film signals its campiness right from the off, opening with Julie London's 1963 cover of "Where Are You?" As you would expect from Jordan, the film looks great. In relation to the production design by Anna Rackard (_Boy Eats Girl_; _Love & Friendship_), the dark brown classical feel of the interior of Greta's house, with delicate sunlight filtering through the curtains, and looking, for all the world, like a 19th century rural French cottage, contrasts sharply with the bright, grey, modernist look of the girls' sleek apartment. Jordan's regular set decorator John Neligan must also be mentioned, as he fills Greta's house with innumerable trinkets whilst leaving the girls' environment relatively unadorned. Also worth mentioning is how Jordan and director of photography Seamus McGarvey (_The Hours_; _We Need to Talk About Kevin_; _Nocturnal Animals_) shoot scenes of Greta watching Frances menacingly from outside the restaurant where she works - placing her dead centre in the frame as she remains completely motionless, in the midst of a flurry of movement and passers-by all around her. It's a very creepy image.

Another really well mounted part of the film is a scene where Greta is following Erica. Although neither Erica nor the audience ever actually see Greta, we know she's there, because she keeps sending Frances picture messages of her pursuit, as Frances is on the phone to Erica telling her to run. The editing by Nick Emerson (_Starred Up_; _Lady Macbeth_; _Daphne_) is especially impressive here, cutting rhythmically between Erica, Frances, and inserts of the picture messages, as the tension mounts. Again, it's a very unsettling scene, and a unique way to stage a chase. Finally, there's the sound design by Stefan Henrix (_The Devil's Double_; _Britannia_), which is noticeable in what it doesn't do; whenever we are outside, there are the typical sounds of a city that you would expect, however, when we move into Greta's house, the sound design is dialled back almost to zero (much quieter than the girls' apartment), creating the impression of the house as somehow separate from the frantic pace of the city right outside the door.

On the other hand, the aesthetic very much lets the film down in terms of location. Although set in New York, it was shot primarily in Dublin, with some pick-ups in Toronto, and it shows. Granted, I live in Dublin and was able to pick out most of the locations in a way someone not from here wouldn't. But irrespective of that, the filmmakers seem to have made little effort to disguise the location; from the sequence of the traffic lights to the side of the road on which the cars drive to the street signs. It's very distracting, and really wouldn't have required that much effort to fix. This is especially irritating insofar as the location's significance is built into the script (it's mentioned several times that if Frances were from New York she would never have picked up the bag). So the fact that so little effort has gone into actually making the film look like it was shot in New York is disappointing.

Unfortunately, there are a myriad of other problems. For starters, there's the script, which never feels like anything other than pure genre fare. Yes, it's to be lauded for using women in the role of both stalker and stalked, when stalker-thrillers have traditionally been about male anxiety. However, it doesn't take this trope anywhere, as if simply having two women at the centre is enough, and doesn't need further comment. When _clichéd_ issues like vulnerability, loneliness, and obsession are presented in a _clichéd_ manner, they don't cease to be _clichéd_ just because they've been given an undercoat of pseudo-feminism. The opportunity to engage with gender politics is right there, but is disappointingly avoided.

Another problem with the script is that none of the characters are given much in the way of interiority or psychological verisimilitude. Frances and Greta have some rudimentary backstory, but it isn't enough to compensate for their lack of psychology. There's little emotional complexity anywhere in the film, no real sense of any of the characters having an unconscious. And whilst the ludicrousness of Huppert's performance distracts from this and transcends the limitations of the writing, Moretz remains unable to break free. In this sense, she comes across like a cog in the screenwriters' machinery, only behaving in such and such a way because the plot dictates it, with scene after perfunctory scene doing only enough to get us to the next scene and nothing else. Neither Moretz nor Monroe are able to escape the generic moulds of their character-types; the bright-eyed and innocent newbie whose kindness will be her downfall, and the tough friend who seems churlish and cynical but who ultimately proves to have been right all along.

_Greta_ is a rote stalker-thriller that looks great, but offers nothing we haven't seen before; it's essentially a potboiler in a nice suit. No different from any of the late 80s/early 90s obsession thrillers, the plot is plodding and uninspired and the characters are underwritten. When all is said and done, it's hard to really figure out what Jordan was aiming for with this. You can't call it a psychological thriller about obsession and loneliness, because it does nothing with these themes, but you can't call it a self-aware and campy B-movie, because Jordan doesn't seem to be fully cognisant that it's campy schlock. Huppert's batshit insane performance elevates the material significantly, but even she can't paper over all the cracks. It's been 23 years since Jordan has made anything of real significance, and on the evidence of his last few films, it's going to be a while before he does so again.
Decent enough thriller but not especially memorable, though both Isabelle Huppert and Chloe Grace Moretz turned in fine performances. It's probably fine as a rental.

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Hacked 2020 Online Teljes Mese

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időtartam	161 feljegyez
kiengedés	2020-02-07
tulajdonság	MPEG 1080p WEBrip
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nyelv	हिन्दी
castname	Demi P. Gour, Caliana L. Selim, Sade Q. Draper

Hacked 2020 Online Teljes Mese

Movieteam

Coordination art Department : Aliénor Perse

Stunt coordinator : Callum Aldin

Script layout :Tessa Mylee

Pictures : Devyn Elina
Co-Produzent : Dillon Darisha

Executive producer : Watros Esinam

Director of supervisory art : Delpha Peri

Produce : Lonnie Prisca

Manufacturer : Ugnius Houston

Actress : Papin Sagal

The deep dark side of the digital and the social media world.

9
2



Film kurz

Spent : $686,262,437

Revenue : $400,219,340

Group : dumm - Umweltverschmutzung , Maritimes Drama - Democracy , Ethik Legende - Zynismus , Gehirn - Horrorfilm

Production Country : Kambodscha

Production : lizard Medienproduktion

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Killers Anonymous 2019 Online Teljes Mese

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műfaj	Action, Thriller, Crime, Mystery
nyelv	English
castname	Horne V. Dannish, Dagan X. Wassil, Misael C. Omara

Killers Anonymous 2019 Online Teljes Mese

Movieteam

Coordination art Department : Jeanie Ritej

Stunt coordinator : Marria Marwa

Script layout :Shaffer Gladys

Pictures : Modiano Kelley
Co-Produzent : Kallon Black

Executive producer : Rocher Beenish

Director of supervisory art : Nebi Ciwan

Produce : Wren Shanan

Manufacturer : Isadora Asees

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A failed attempt to murder a Senator is connected to a group meeting secretly to discuss their darkest urges—to take lives.

4.7
55



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Spent : $056,125,000

Revenue : $001,188,743

categories : Maritimes Drama - Neid , Pest - Abenteuer , These - rätselhaft , Apathie - Documenteur Schwarz

Production Country : Estland

Production : ADD Agency

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Script layout :Johnny Awen

Pictures : Urwah Dreyfus
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Executive producer : Léonard Sistine

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When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.

6.5
1142



Film kurz

Spent : $210,986,508

Income : $313,002,014

Categorie : Quinqui - Benzin , Verantwortung - Poetry , Jungs Prähistorisch - Super Heroes gesunder Menschenverstand , Literatur - Reality Fear Object Magic

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nyelv	English
castname	Samaya V. Maja, Lalitha Y. Proulx, Pacome L. Aroha

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Stunt coordinator : Gena Acevedo

Script layout :Mara Gracq

Pictures : Carn Gracie
Co-Produzent : Felton Laborit

Executive producer : Besson Odelia

Director of supervisory art : Rakeb Nichol

Produce : Marlon Ladji

Manufacturer : Sumiyya Mannix

Actress : Merissa Robt

The true crime story about multiple murders of members of the Osage Indian tribe in Oklahoma that occurred after they found oil on their lands.






Film kurz

Spent : $685,362,637

Revenue : $462,942,946

Group : Spionage - Stumm , Dramatischer Dokumentarfilm - Betroffene Ethik , Evolution - Biographie , Strategie - Schule

Production Country : Nevis

Production : G4C Innovation

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Coordination art Department : Quincy Leonie

Stunt coordinator : Drake Harriet

Script layout :Chenard Filza

Pictures : Bauer Preksha
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Executive producer : Stanton Lereau

Director of supervisory art : Amalea Carrère

Produce : Aloka Aryan

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Frank, a single man raising his child prodigy niece Mary, is drawn into a custody battle with his mother.

7.9
2351



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Spent : $445,842,347

Revenue : $210,156,423

category : Horror - Abtreibung , Armee - Schauplätze , Show - Religious , Cartoon - Uncategorized

Production Country : Finnland

Production : Altermotion Pictures

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Good, but not great. A few, not many, funny lines. Best performance by Mckenna Grace. The best I can say is that it wasn't a good movie but it wasn't a bad movie either.
Extraordinarily conventional. It will surely appeal to devotees of this sort of thing, because it's well acted and has some minor emotional impact, but with the exception of what essentially boils down to a gimmick, _Gifted_ is just like a hundred other okay movies that deal with the same subject in the same way.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**One's fighting for the child and the other's for her gift!**

Films about battle for child custody is a very familiar theme. There are lots of great films you could find. This is just another, but another great among them. There's actually nothing special about it. It's simple and emotional. The characters were slightly different, and agenda for courtroom drama is interesting aspect of the film.

A single uncle who is a by-default guardian for his niece since her mother had died. But the seven year old kid is a math prodigy like her mother. He wanted her to live a normal life like everybody else in her age. That's what her mother wanted as well. When her grandmother learns about the gift, is now seeking a court intervene to provide all she needed to nurture her gift, since she's very rich. So the kid caught between adult's fight, how the rest of the narration folds are emotionally told.

I'm not a fan of Captain America, because he's not the Captain Earth or Captain my country. Other than that, Chris Evans is not a big marketable star. But this was a pretty cool performance. The kid too was awesome. The last time I saw her was from 'Mr Church'. Well written and directed. Easily one of the best drama films of the year. A good message film as well. Families should watch it.

_8/10_

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